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The Wine Widow on fruit, theft and varifocals
“A man watches his pear tree day after day, impatient for the ripening of the fruit. Let him attempt to force the process, and he may spoil both fruit and tree. But let him wait, and the pear at length falls into his lap.” Except Abraham Lincoln didn’t live where we do.
We have a pear tree growing, espaliered, against the side of our cottage that faces the lane. We planted it five years ago and Zam has pruned it beautifully. We love the blossom. We love the shape. And we love the pears which we watched, as Lincoln suggested, without rushing them but going out each morning for a gentle squeeze, waiting, waiting. Still not ripe we mutter before coming inside for coffee. And then … oh then… we go outside one morning and every single one of the seven beautiful pears has gone. Overnight. Not a shred of evidence to show they ever existed.
Squirrels? Seven? Or a random act of theft which in this case I would call vandalism because, BECAUSE, they weren’t YET RIPE.
I stare at the denuded tree through my new glasses which are varifocals and which are causing me some issues. My legs seem to be about 6 inches long, depending on how I tip my head. Escalators are a terrifying hazard. On Monday I smiled warmly at a vicar coming towards me in a London venue where I was waiting to see my godson play drums in a band. I always smile warmly at vicars because I worry that nobody else does and I thought he might be feeling a bit out of place. As he came closer I realised that he wasn't wearing a dog collar but a small white goatee beard. And a black polo neck.
In the winery, I take care not to trip over the pipes and hoses that are in full use as the freshly picked grapes ferment and everything is continuously scrubbed to a spotless clean. I notice that a couple of deliveries have come back, one because it was the wrong item and one because a bottle of the new pinot noir was insufficiently wrapped. By me. I formulate excuses involving my new glasses but in the end, I just fall on my sword and wonder if, or when, I will be sacked.
The Grange x Stem & Green – Wreath making workshop
Join us for a festive evening of wine and wreath-making at our state-of-the-art, working winery. A perfect workshop to do with friends or family in the build up to Christmas.
TICKETS – Stem & Green x The Grange
Friday 29th November, 6.30 - 8.30pm
Location: The Grange Winery, Alresford Road, Itchen Stoke, Alresford, SO24 0QW
After a short demonstration, you’ll be given your own table as a group or family to have fun, get creative and make your very own fully natural wreath.
Your luxurious wreath will be 100% sustainable and completely biodegradable, made from locally sourced foliage, berries and dried flowers, a perfect Christmas decoration.
Alongside this wreath-making workshop, you'll get a mini-tour of The Grange Winery and a taste or two of The Grange wine to enjoy as part of your ticket. More wine will be available for purchase to fuel your creative flair.
Participants must be 18 or over to take part. All materials and scissors will be included, though you might like to bring your own apron and any of your own decorations which you might like to add.
Price includes VAT
£75 pp
The Christmas Taster – Open Cellar Door 2024
Every Wednesday afternoon in December (and on the mornings of Saturday 21st December & Monday 23rd December 10am – 1pm), we will be swinging wide the winery doors to cater for your festive wine needs.
From 4pm - 7pm every week, all those who appear at the top of the track will enjoy a try-before-you-buy tasting of our wines in the company of Zam Baring, our founder and managing partner. Think Santa’s grotto but without elves, nor indeed a man with a beard…
This is a marvellous opportunity for us to showcase our full portfolio of wines and for you to drive away with pretty much everything, from sparkling to still, that you might need for the big day and, indeed, the week thereafter…
You will taste our collection of wines in bottle and also in some of our magnificently festive-looking magnums!
CLASSIC
Only available in magnum due to unprecedented demand for bottles.
PINK NV
Our best kept secret, the most-awarded wine in our arsenal and Decanter 2020 Platinum medal winner.
WHITE FROM BLACK 2020
Awarded IWC 2024 gold medal
*NEW RELEASE* The WHITE FROM WHITE 2018
Blended from ultra-ripe chardonnay from the endless summer of 2018. Golden yellow in colour, luxuriously rich and toasty with aromas of baked orchard and citrus fruits, reminiscent of caramelised tarte tatin.
STILL PINK 2023
With juicy macerated berries and stone fruit on the nose, the palate is full and rich with more stone fruit and a hint of lychee before a very light spritz carries through to a distinctly dry and moreish finish. That’s the Boxing Day ham covered!
*NEW RELEASE* PINOT NOIR 2022
We made this from the magnificent 2022 Pinot Noir fruit imagining it would be something rather good to add to our sparkling PINK blend but, lo and behold, a delightful, albeit very light, cherry, blackberry and forest-floor flavoured PINOT NOIR for, might we suggest, your Christmas turkey? Just 11% alcohol too.
If ALL THAT wasn’t reason enough to pop by, we will also be working with local producers and suppliers to showcase their wares to add to your Christmas wish-lists each week. Keep an eye on our socials for more information. There will be special cellar door prices, promotions and merchandise to make the journey up the track worthwhile!
Choose The Grange for your all festive wine - The Grange Christmas case is the perfect selection of our still and sparkling wines!
Make sure you don’t miss this chance to visit the winery, meet the makers and taste the wines which will be proudly furnishing your Christmas tables and filling the glasses of your friends and your family all the way into 2025!
A Makers’ Sale of Work – Thursday 28th November ’24
After last year’s rip-roaring success, we are going again on the ‘Makers’ Sale of Work’. There will be a fabulous array of makers on show, each laden with beautiful things to sell.
We will be welcoming our marvellous makers at The Grange Winery on Thursday 28th November between 9am-3pm.
Entry is free and we will be taking donations for Allegra’s Ambition on the door. Allegra’s Ambition aims to enable, engage and empower young, disadvantaged people to fulfil their potential through participation in sport and outdoor activities.
You can expect hand-thrown ceramics, homeware, textiles, jewellery, art, books, bags, flowers, oils, baskets and, of course, wine! We will be selling The Grange wine and gifts from the Land Rover bar and you may just have a chance to taste The Grange's new wines before anyone else- The WHITE FROM WHITE 2018 and The PINOT NOIR 2022.
Becka Cooper is hard at work dreaming up some delicious food too.
Our Makers:
Beautifully designed wool and Scottish tweed for women and men, proudly made in Britain. Waistcoats and trousers with perfect tailoring that never fails to flatter and everything so well made, it lasts forever.
@acre_and_holt
Design studio founded by artist and designer Hannah Watts. The studio consists of artwork, homewares and musings by the designer which draw inspiration from the culture, colour, energy and craftsmanship of Africa where she spent a lot of time travelling through the years. Bold, bright and beautiful.
@s_i_l_o_studio
Claire Ayeni
Claire worked for a couple of small fashion accessory companies before working on her own designs which combine her love of textiles and colour. Her contemporary handmade macrame bags and water bottle holders are designed to be both practical and fun.
@claireayeni
Exquisitely woven textiles in Australian Merino lambswool, Sarah produces subtly coloured scarves, shawls, blankets, cushions and other homewares designed on a 16 shaft Louet Megado dobby loom in her Surrey workshop, for production (mostly in limited editions of up to 12 of each colour) on a power loom in a Yorkshire mill.
@sarahtyssen
Izzy is a London-based potter working predominantly in stoneware on the wheel. Passionate about craftsmanship, each piece is designed with a focus on enhancing daily life and a belief that authenticity to material is integral to good design. All manner of stunning, candlesticks, bowls, vases, mugs and sets derived from classic forms with elegant handmade glazes.
@izzylettyceramics
Louise is a City and Guilds qualified basketmaker who shares her passion with others through teaching. Being a member of the Basketmakers' Association opened her eyes to the incredible diversity within basketry, both traditional and contemporary and she will bring a wonderful selection - plus you could sign up for her upcoming workshops.
@louisebrownbasketmaker
Francheska Pattisson
Francheska creates sublime ceramic artworks. She works mostly in white earthenware, both on the electric wheel and by hand-building. She states that surface is as important as form; the clay becomes the canvas. She applies colour in the form of slips and underglazes in multiple layers, combined with wax resist and scraffito.
@the_open_kiln
@francheskapattisson
Beyond the Barn is a florist based near Winchester in Hampshire. Jo and Ruth are creative friends who share one passion and who have combined their natural talents and their love of flowers for over 20 years. Wreaths, decorations and the best amaryllis we’ve ever seen.
@beyondthebarnflowers
Reema Pachachi became the first Creative Director of De Beers LV in 2001. Having had over 30 years experience in jewellery, she launched her own brand kuka-me. Gorgeous, easy-to-wear sterling silver and 18ct gold jewellery, particularly created for independent women with an individual sense of style.
@kukamejewellery
In her Sussex studio, Laura designs blockprinted linens, cottons and oilcloths - a little bit Bloomsbury but also very contemporary - in wonderful natural colours. Cushions, bags, wrapping paper and tea towels as well as fabric to order and incorporating designs by her daughter Maudie of fungus&mold.
@lauradelamare60
Victoria’s work is intuitive, holistic and smells utterly delicious. Exploring the ancient form of scent making led her to create four signature blends and a wide range of products including candles, bath soaks, soaps and natural perfume elixirs. Body balms, oils … and more.
@victoriaogilvyessence
Middlemarch Fine Art specialises in the work of mid to late twentieth-century British artists and will be bringing a small selection of works including Tessa Newcomb, Elisabeth Frink and Mark Hearld.
@middlemarchfineart
Camilla Dinesen Jewellery
Danish jeweller Camilla Dinesen was a part of the creative crowd that birthed the movement of Young British Artists in the nineties. Today she is working out of her studio in the countryside near Winchester with clients who love her quirky somewhat schizophrenic (her own words) style that somehow combines architectural with organic in silver, gold and white gold.
@camilladinesenjewellery
Having worked in the textile design industry for over 20 years Liz McKenzie decided to explore other creative avenues, drawing on that background to develop a ceramic style that echoes her love for colour and texture in a wide variety of forms with wonderfully diverse outcomes.
@lizzallmakes
Eland has the largest list of classic travel books in the world. They currently sell 175 titles and are beginning to feel confident that wherever you travel, or are passionately interested in, there will be an Eland title to expand your horizon. Barnaby will not be able to bring the full list … but a very good selection.
@elandpublishing
Rebecca Wordsworth works solely with porcelain, in all it’s unpredictable glory. She immortalises seasonal hedgerow flowers by hand-pressing them directly onto the clay and sparingly applies gold lustre to elevate pieces that are delicate but eye-catching. Every piece she makes is beautiful and unique.
@rebeccawordsworthporcelain
Inspired by fellow artists and a love of textiles, Michele decided to meticulously source the exact colour and yarn she wanted to hand knit the perfect jumper. And has now added cardigans, tank tops, hats and fingerless gloves. Working from her cottage studio, she uses a mix of natural mohair and lambswool in wonderful earthy colours.
@handknitsbyme
Step into artist Nick McMillen's world, where bark weaving and botanical charcoal drawings unveil the hidden wonders of the woods in intricate and fascinating detail. Nick is bringing a series of limited edition drawings and prints.
@mcmillenart
Sally Ashburton
Textile designer and inveterate collector will bring a selection of brocante, fabrics and vintage clothes… Eclectic and unusual.
Rufena Tuscan olive oil (available for the first time), hand-embroidered t-shirts by Fa)i(te design, hand painted furniture and clothing by new young designer Chloe Lewin for Ant Elias.
Becka Cooper
Of course, the inimitable Rebecca Cooper will be amongst this brilliantly assembled throng of makers, crafting her very own brand of delicious treats to accompany your shopping day. The much-needed sustenance sourced from local farms and suppliers to fuel you for the fair.
@cooper.becka
We very much looking forward to seeing you.
Tanks for everything…
A great article from Laura Hadland written for Vineyard Magazine where she caught up with our very own Harry Pickering.
For those approaching the subject for the first time, there can be a bewildering array to choose from. Materials might include stainless steel, concrete, oak, plastic or even clay. Each comes with its own advantages, disadvantages and price tag. So how does one negotiate the tricky business of tank selection?
Tank selection
- Look at vineyard size and predicted production volumes. Not only do vessels need to be able to accommodate all of the juice produced at harvest, but consideration needs to be given as to how this will be divided up by style.
- This leads us on neatly to style and quality considerations. Different materials offer the potential for different outcomes at the end of the process. Stainless steel is perhaps the most common and relatively cost-effective material, leading to crisp, clean wines. Oak vessels come at a significant price but can add more complex layers of flavour to the finished product.
- For some winemakers, environmental impact and sustainability are at the heart of their working practices. For them, the environmental impact of their tanks – how they were produced, how energy efficient they are and how recyclable they will be at the end of their life – can be a critical factor in selection.
- I’ve alluded to the price already, but it isn’t just the upfront costs that need to be considered. Maintenance and the longevity of different tank types also need to be factored in so that an informed investment can be made that will keep the business in good shape over the years and decades to come.
A material question
Let’s look at some of the different types of tanks that are available in more detail. What do different materials add – or take away – from the finished wine?
Mixing materials
Stainless steel has become the industry standard. It’s an inert vessel, easy to keep clean and relatively affordable. But sometimes, a pure expression of the fruit isn’t all that’s required. Some winemakers look to add depth and complexity to their wines by blending liquid fermented in a range of materials.
In Hampshire, the Grange Estate’s Classic NV English Sparkling Wine is fermented 86% in stainless steel tanks and 14% in old oak barrels before undergoing a 33-month lees ageing process in bottle. The Grange Estate have recently moved into their own newly-built winery facility. Until 2022, their vinification took place at Hattingley Wine Estate, but now winemaker Harry Pickering has greater control over the vessels he sources and how he uses them to achieve the depth and complexity of flavour he is looking for.
“We ferment a bit of everything in barrel as well as in tanks. It gives you two different components to play with from the same fruit. For us, we find anywhere between 80% to 90% for the stainless steel tank fermentation is where things sit nicely.
“The tank components are the bones of the wine when we’re looking at blending, that’s the main structure. The fruit components are more obvious and it’s more structural in terms of acidity. By fermenting in tanks you get the pure expression of the fruit because they are in the most inert vessel and completely unadulterated.
“On top of that, you start to layer the oak. The majority of the oak we’ve used up until now is old oak, fourth fill. Those barrels come from a Tonnellerie in Champagne. They sell Champagne barrels to producers in Bordeaux and Burgundy. After they’ve had the yeast in them for four years fermenting white wines, they take them back and distribute them out to people who want older oak. The reason for going through this Tonnellerie is purely a reputational thing more than anything, in terms of knowing that the oak you’re going to get is being properly quality controlled. You’re trying to limit any spoilage or microbes being in that wood, so you need to know the provenance of the old oak to limit the risk of contamination.
“The idea is not to impart those oak tannins and give the wine an oakiness. It’s more about the micro oxygenation that you get from the oxygen being able to permeate through the wood during the ferment and ageing, compared to a stainless tank. In a barrel, there is a lot more surface area of the wine in contact with the yeast lees and the surface area of the barrel itself. That allows for more exposure to oxygen and more exposure to the dead yeast at the bottom of the barrel post fermentation. In turn, that leads to autolysis and the breakdown of the yeast. The mannoproteins that you’re getting from the dead yeast soften the wine and add those soft and buttery autolytic characters.
“So the old oak softens and it broadens the palate. That’s adding the flesh onto the bones. We find that between 10% and 20% in old oak is where that sits nicely. It’s about the balance between softening the wines, but still having them maintaining their structure and core personality. They’re not becoming overly flabby, just softening and rounding out the palate.
“Since we’ve had the winery, we are beginning to play a bit with new oak, which adds a third dimension to the whole thing – almost like the accessories that are added to clothing. But the amounts that we are adding are so tiny that you can barely perceive them. We only add about 1% to 5%. It ripens up the fruit and makes the wine a bit more serious. It’s almost like turning the volume up a bit. It’s not about changing it dramatically and making an oaky wine, it’s about adding a bit of perfume, that little bit of personality at the very end.
“Because this is a new thing for us, we’re still working out which Tonnellerie suits our needs. Each year we’re going to use a new one, look at their barrels and see how they work for us. Then we’ll hopefully end up with five or six different Tonnelleries’ barrels in the winery over the next few years, that are toasted to different degrees, and increase volumes depending on who we like most. I imagine it will always be a range of them because they will offer different things and it’s useful to have that diversity for blending.”
READ MORE https://www.vineyardmagazine.co.uk/wine-making/tanks-for-everything/
https://www.vineyardmagazine.co.uk/wine-making/tanks-for-everything/
Rethink PINK
We get a lot of people on our tours saying “I can’t drink/hate rosé/PINK…” and this speaks to us of some terrible past trauma – over-fruity, ultra-sweet glasses of what looks and tastes like warm, fizzy and dilute Ribena, consumed in an airless tent on a boiling hot day – and, therefore, our hearts go out to them, we have been there too!
But this is exactly why we designed our PINK NV differently – on tours we offer these PINK refuseniks a glass and watch the scales fall from their taste-buds…
It is, perhaps, the best kept secret within our wine portfolio – a 60/40 blend of Meunier and Pinot Noir that tastes almost like a CLASSIC!
TASTING NOTE
Pale onion skin in colour with a little, barely pink, white peach. Is the colour important when it comes to the flavour? We think so, BUT don’t judge a book by its cover ladies and (especially) gentlemen. There is nothing too sweet here…
The nose has almost macerated red berry fruits but also grapefruit pith alongside crisp red apple, with a lick of something creamy. With 33 months on lees and 8 months on cork the complexity is starting to build with the fruit surrounded by cream, hazel and spice – and the very long finish is beautifully savoury and very slightly saline.
PAIRINGS
The PINK NV is fresh with layers of red fruit, pastry, cream and citrus which allows it to pair brilliantly with a variety of foods…
Try it with everything from fresh salads and seafood through to fried and spicy dishes like fish and chips, cumin-spiced dahl, chicken schnitzel and goats cheese risotto… not to mention fruity desserts, cream and chocolate.
Pink, it's my new obsession...
Pink, it's not even a question...
Pink, on the lips of your lover...
'Cause pink is the love you discover.
Steve Tyler - Aerosmith
The Wine Widow on Cicadas, Hornets and Nuns
This year, in America, two broods of cicadas have emerged together for the first time since 1803: Brood 19 which appears every 13 years and Brood 13 which pops up every 17 years. When they appear in the same place at the same time, such as Illinois, the noise was so loud that locals called the police. I know this because I bought the Junior Week by mistake at Waterloo and it was my only reading material on a broken down train that stranded it’s passengers for over an hour somewhere near Basingstoke. A long time after finishing it, I went to put my empty coffee cup in the bin – as an outing – where a woman was sitting on the floor feeding a rabbit lopping about by her feet.
I think about the cicadas because the kitchen has begun to drone alarmingly with hornet upon hornet. They are enormous, they are scary, and they are very noisy. “Hornets are not aggressive” Zam tells me as I discuss ways to exterminate them. “And they’re having a very bad time. The wasps have taken over their nest in the shed” he adds, as though this will convince me where my sympathies should lie. “I’M having a very bad time” I shout as one gets stuck in my hair.
I then remember the woman with the rabbit and how I mentioned this to the two women I had befriended as we discussed ways to get off the train. “I think I’m in a dystopian nightmare,” I said. “There’ll be a nun with a guitar next” one of them replied.
Zam comes home worried about record breaking rain, September sun, weirdly cold nights, violent storms … weather. “And spotted wing drosophila” he adds. Oh DEAR, I try to sound sympathetic as I hoover up hornets that have died of natural causes near the sink. On the floor. And most window ledges. No sign of a singing nun yet though.
Thursday Lates
Join us at the vineyard to while away a few hours on a Thursday evening this summer.
Every Thursday from now until mid/late September, we will be firing up the BBQ and opening the bar under the canopy at the winery from 5:30pm -8:30pm.
Good vibes, wine, food, friends basking in the summer sunset!
Drink our wines, have a bite to eat and relax watching the sun go down. We are collaborating with @cooper.becka who is dreaming up some sublime menus, taking advantage of delicious wild game from the Estate.
Pretzel rolls filled with barbecued partridge, venison or pigeon with fresh salsa verde, roasted tomatoes and harissa or mayonnaise as well as Coop’s amazing vegan burger and some lighter snacks like Padron peppers and BBQ halloumi. The Landy bar will be in full operation, serving wine by the glass and by the bottle.
Our award-winning PINK NV, WFB 2020 and STILL PINK 2023 chilled and ready to serve.
The mags are tasting epic!
Taste our wines by the glass or bottle and compare notes to the same wines in magnum. We are offering all magnums by the glass to savour. A rare treat to understand and ponder the way a wine shows different characteristics being aged and bottled under different conditions.
A gently immersive experience on the terrain from which the wine has come, the smells and the sights are even more alluring on a warm summer breeze.
No need for tickets, come up, park, get a glass and a bite, find a chair and chill...
Sun! Sun! Sun!
We hope you are looking forward to a last (and possibly only?) hurrah of BBQ’s, picnics and chatting in scent-filled summer gardens and we’d love to be providing the refreshments!
We’re both sorry and delighted to say that, thanks to some very strong demand from the trade, the CLASSIC NV has sold out (though you can still get supplies from our retailers). But in its place can we point you in the direction of some other options?
First up, for the CLASSIC lover, how about the 2016 vintage CLASSIC in magnum? This wine has been delighting the THURSDAY LATES crowd and according to Harry is “… reminiscent of delicately poached orchard fruits with a smooth, creamy palate and a very long, savoury, finish.”
Next up comes our International Wine Challenge '24 GOLD medal winner, the WHITE FROM BLACK 2020. With over a year on cork this linear and elegant wine is beginning to develop a delicious nuttiness on top of the succulent stone fruit and quince flavours.
“Luscious white stone and orchard fruit on the nose that integrates with lightly toasted nuts, sweet spice, and buttered patisserie. The palate is oily and mouthcoating yet balanced by a refreshing saline acidity. An exciting new successor to the 2018 WHITE FROM BLACK gold medal winner."
Or you could go for sparkling PINK NV followed by STILL PINK 2023 and finish with 2018 PINK in magnum… fill up because this might be the last of the summer wine!
The view from the vineyard...
We hope that you have enjoyed this weather more than our vines have! Samuel has somehow kept his tail up and the outlook for September is (at least at this moment in time) brighter, so positivity is the order of the day. Nevertheless, I’d give a lot for three weeks of sun between now and mid-October, when the chaos that is harvest begins - we shall see. Thankfully ‘22 and ‘23 were very good harvests so maybe we are due a poor one…
By the way, if any of you fancy getting your hands juicy at harvest, let us know and we’ll sort out some buckets and a pair of snips!
Running through September and into November, we have our regular vineyard tours on the dates on the website but, should you want to organise a bespoke tour, drop us a line.
The Slow Table – Imad’s Syrian Kitchen
Join us for a very special Slow Table.
On Thursday 5th September, we’re teaming up with The Slow Cyclist at the winery to host a celebration of Syrian culture and cuisine. The wonderful Imad Alarnab of Imad’s Syrian Kitchen will be cooking up a fantastic feast to be accompanied by our award-winning wines. And there’s even a chance to stay over and (slow) cycle through the Hampshire downs with us the following day.
All profits will go to Action Syria UK, a charity that offers vital healthcare and education to Syria and beyond.
This is going to be a really special evening and we hope you’ll join us.
When we met Oli Broom, the founder of The Slow Cyclist back in September last year, we knew we wanted to work with him. This is a man who, in 2009, jumped on a bike and just kept going - eventually stopping 412 days later in Australia! A commitment not dissimilar to starting a wine business in England…
Beyond the respect for each others’ businesses, we found plenty of common ground - we are both focussed on creating products and experiences that we would enjoy ourselves always under-pinned by exceptional quality and original innovative process. It was clear that we have also similar ideals and visions for the world we inhabit.
Over the past 6 months, we have discussed and developed the evening and we’re delighted to have Imad join us working together on supporting Action Syria. His is an exceptional story of resilience and humility in the face of great adversity. His courage and tenacity is staggering but it is his passion for food, family and community that made for a perfect fit for our collaboration.
Now the plans are all laid and we’re ready to go - all we need is for you and a few friends to come and fill the seats for this our very first winery dinner…
The Slow Cyclist offers extraordinary cycling and walking adventures for the culturally curious. They believe that travel is worth taking time over; that a great holiday means getting under the skin of a place, meeting its people, indulging in its culture and understanding its history and customs.
Having welcomed their first guests to Transylvania in 2015, The Slow Cyclist now takes guests to little-known corners of nine countries across Europe and Africa.
Imad Alarnab is a Syrian chef, entrepreneur and refugee who ran three successful restaurants, several juice bars and cafes in Damascus.
In the war, Imad's businesses were destroyed and he was forced to flee the country in search of safety. Making his way from Lebanon through Europe, Imad shared his skills cooking for other refugees, up to 400 at a time.
Imad arrived in London in 2015 and eventually his family was able to join him. Putting aside his passion for food, Imad worked a number of jobs, including as a car salesman in his early days in London. With the help of some good friends, Imad burst onto the London restaurant scene four years ago with a series of charity events which became hugely popular. Supper clubs sold out within hours and hungry workers waited patiently in long queues for take-away lunches at pop-ups.
Imad’s Syrian Kitchen opened in Kingly Court in Soho, London in early 2020 and has gone from strength to strength, allowing Imad to express his full vision.
https://www.imadssyriankitchen.co.uk/
Action Syria partners with local organisations in Syria and neighbouring countries to provide the support and aid that vulnerable communities need most and give you a way to help. They make sure funding gets directly to the right people quickly and safely.
They believe in giving Syrians a hand up, not a handout
They are currently teaching 200 Syrian refugee children, providing vital healthcare to a community of 50,000 people in north-east Syria, and delivering prosthetics to amputees in north-west Syria.
